Kye Kye – Fantasize [Advance Review]

In June, I received a kind thank-you e-mail from Kye Kye. What I didn’t expect was a link to the new album! All of a sudden, I was the elated recipient of a sneak preview of Kye Kye’s new LP Fantasize — months prior to the release. Because Kye Kye have recently been navigating some tough choices in how to release this album and whether to do it independently or on a certain label, the release date has been postponed to January.

For a music journalist and strong appreciator of Kye Kye’s work, it was a great birthday present (Okay, so their manager didn’t know it was the week of my birthday, but it sure seemed like he had done his research.)

If you don’t know Kye Kye, you might like to read my interview from early 2011. Originating from Eastern Europe, their family moved to Camas, WA, where the three siblings (Olga, Tim, and Alex) began producing music. Olga’s fiance Tommy (now her husband) joined the band to play drums. Kye Kye produce an interesting mix of electronica-infused pop, doing it with both live instruments and programming. They’ve has put out one album, Young Love, and the three siblings put one out prior to that, under the name Paper Rings.

photo by Vanessa Weber
photo by Vanessa Weber

I’ve given Fantasize multiple listens, and it’s clear Kye Kye have worked tirelessly on this new full-length. The band have been quoted calling it a “labour of love”; that’s more than clear – it’s meticulously produced.

I must give you one spoiler alert: it’s pretty different from Young Love. Don’t go into this album expecting more of the same.

The opening chord of Fantasize takes me back to the first time I saw Kye Kye live. These first notes had the same effect on me as in that concert. I stopped breathing. The timbres swirled around me for a moment and then everything became normal again. Pretty mystifying.

This new album Fantasize is something special. And it’s fun.

This album is not only an important step in the evolution of Kye Kye, but I believe it stands out in its genre. The original creativity in this album is astonishing, and I’m sure Kye Kye have drawn influences from atypical sources for the electro-pop genre.

Every instrument on this album has been treated. I noticed the drums first, washed in reverb, while not being at all overbearing or heavy-handed. Olga’s voice, too, has a very glossy, floating feel to it, while remaining front and centre in the mix. A prime example of this is in the middle of “Softly”.

photo from www.kyekyemusic.com
photo from http://www.kyekyemusic.com

What makes this album so different from Kye Kye’s previous work? There’s been an evolution in at least three regards: first, the drums are central to this record. Both real instruments and electronic drum kits have been used. Brilliant stick work and drum programming have created some very tight grooves that enhance the rest of the instrumentation. While Young Love had a great texture to it, Fantasize feels more solid – and that’s a good thing. Second, this album relies less on loops and is driven by bass and beats. It features more instruments in general: synths, horns, percussion, electric guitar, bass, and a multitude of virtual instruments and loops. The guitar, which does not feature strongly on previous album Young Love, are exceptional. Third, Olga’s melodies reveal an increased confidence in exploration. Throughout the album, especially on tracks like “Dreams (2am)” and “Fantasize”, her creative use of timing and intervals brings a freshness and melodic leadership to the music. “Seasons” — and its interlude afterwards — would have been entirely out of place on Young Love, but is a fitting inclusion on Fantasize, and transitions masterfully into “Softly”.

Kye Kye have picked from multiple decades in regards to their influences on this album. “People” and “Softly” throw back to the 80’s. I can’t help but imagine, half-jokingly, that Kye Kye took some production cues from bands like Toto. After all, “Africa” enjoyed a momentary resurgence of stardom last summer.

True to her form, Olga is not afraid to be soul-baringly reflective in her lyrics. “I never knew that I was so harsh with things I thought I wasn’t afraid of. I never knew that I was so scared to change because of honest affection”, she sings on “Honest Affection”. She possesses a real strength of narrating through lyrics, though her tendency to under-enunciate, combined with the effects of reverb, can make it a challenge to pick out exactly what she is saying at times. Nonetheless, the production on her voice is magnificent.

Meticulously produced, this is a very strong release from Kye Kye. It’s exceptionally powerful musically and sets the bar for original creativity very high.

Holobody – Riverhood

Holobody - Riverhood - cover

 

If only I knew sooner that simply typing “Canada” into Bandcamp’s search bar would bring incredible music like this to my ears, I wouldn’t have waited so excruciatingly long.

Riverhood is one of the most creative albums I have ever heard, and I do not say this lightly. It’s the work of Montreal’s highly talented Luke Loseth (aka Felix Green), Charlotte Loseth (aka Sea Oleena) and others listed on their Bandcamp page.

The production is incredible. At any given moment, the sound is a flawlessly layered cake; an auditory delight: vocals reverberating, bass marching, synths spiralling up and down, and an incredible array of ambient sounds – claps, old European radio broadcasts, pianos, glass bottles, and the like.

Genre? “No” is the band’s apt reply. “Sonic exploration”.

Pick this album up. You’ll love what you discover.

Get Riverhood directly from the artist for $8 here: holobody.bandcamp.com

25 Albums That Redefine

Typically, unless you’re Pitchfork or Rolling Stone, no-one cares about your Top 25.

But for those hungry for great music, I’m serving bite size portions from last decade’s best independent music.

These artists, who are writing from a faith perspective, are not in the “Gospel & Religious” category assigned by the music industry. Many of them would rather not be associated with that category at all. They’re artists who produce authentic material in their own right, while not neglecting the deeper dimensions of the human experience.

1/ Misty Edwards – Relentless

Misty Edwards’ 2007 release “Relentless” absolutely rocks. It’s passionate faith sung with sonorous beauty, married with masterful guitar riffs and basslines. The quieter side of the album is just as powerful. The album comes as a double disc, with the second featuring acoustic material.

2/ Shad – TSOL

One of Canada’s best rappers, witty and eloquent emcee Shad is Rwandan-born and Ontario-raised. He articulates plenty of his spiritual insights within his clever and humorous lines of social commentary.

3/ Kye Kye – Young Love

Kye Kye’s Young Love is a gorgeous rippling indie glitch-pop wonder that’s equally performed in clubs and sanctuaries.

4/ Gungor – Beautiful Things

The album title refers to the beautiful things that God creates, but in a way it is self-referential; this is a truly stunning album. Lyrically, it is a celebration of many central and tender tensions in the Christian faith. The vision of this album seems equally inspired by the beauty of God’s works and the realization that there is yet much restoration to take place. Doubt, faith, joy and solemnity are all given their due as the listener makes his or her way through the tracklist. The heart and mind come away nourished.

This is Christian music at its finest. Gungor employ a multiplicity of styles and master them. What Gungor presents to their listeners with this release is an album that is sophisticated but unpretentious, deeply refreshing and reflective with meditation. It expresses the band’s growing understanding of a grander God and it dares the listener to open their mind.

5/ John Mark McMillan – The Medicine

For all of his lyrical and musical prowess, John Mark McMillan is not the sort of musician to produce just any song. He wrote on his blog at the time of his second album’s release, “the world has enough songs… if you have to write a song, write something that no-one’s said before”. He puts his money where his mouth is with this album as he paints rich allegory over stunning blues-rock backdrops.

6/ United Pursuit Band – Found

7/ Amber Brooks – Still I Rise

Amber’s debut album, Still I Rise, is passionate, beautiful, and a cry of the heart, personally and collectively. Find a love story in the lyrics about the mutual divine pursuit. Read my interview with her here.

8/ Audra Lynn (Hartke) – Vow

http://craigdanielketchum.tumblr.com/post/14205441934/adorned-audra-lynn

9/ Sean Feucht & BURN 24-7 – Sacred Mountain

Imagine what ambient progressive instrumental music would be if it was inspired by God, then find it in listening to Sacred Mountain.

10/ John Mark McMillan – The Song Inside The Sounds of Breaking Down

The album with the song that took the world by storm, “How He Loves Us”, is filled with all kinds of good stuff. McMillan is a poet of rare calibre.

11/ The Listening – The Listening LP

With the experience of former band Rock ‘n’ Roll Worship Circus behind them, musicians Gabriel Wilson, Josiah Sherman, Chris Greely, and Eric Lemiere return as The Listening to release this creative and beautiful debut album.

Confident musicianship (You’ll hear them play in 3, 4, 5, and 7 time) paired with yearning lyrics fills The Listening LP and highlights not just the bands’ musical and lyrical maturity but their very passions and dreams. The album is filled with diverse sounds, melodies, and textures, revisiting the same echoes which could be heard in The Worship Circus’ music – Pink Floyd, The Beatles, Doves, Radiohead, and more. Each song is fresh and different, yet there is an unmistakable unity to the album. Each part articulate yet seamlessly woven together with the others; the work compliments the artistic sensitivity behind it and reminds this author of Paul’s demand of the church in 1 Corinthians 12. Whether it is the delightful metamorphosis of sound on “Triple Fascination” and “Be In Your Eyes” or the haunting musical narrative of “Lovely Red Lights”, each piece contributes to a greater vision, a vision the band has laid open to their listeners, an inspired message of hope. The Listening weave a musical story rich with contemporary insights as well as biblical allusion indicative of their spiritual convictions. One song on the album, “The Factory”, is a parable that, like the parables of Jesus two thousand years ago, followers do not always grasp immediately without explanation.

The innovative sound, honest lyrics, and oftentimes unusual instrumentation on The Listening LP blows a fresh breeze into the alternative rock world as well the sphere of Christian contemporary music. Overall, a fantastic record on multiple levels and should appeal to a wide audience.

12/ Brock Human – Come Away

Returning to the States from a trip with Iris Ministries in Mozambique and with the intention to record an album, Brock Human had a puzzling fall into depression and a complete creative block. With his desperate need for God to be real, God spoke to him in a dream. Brock writes, “in six days he showed me greater love than I could have imagined”. Within a week six songs were complete and the album was finished.

The album comprises simple, profound statements of faith and truth set against the backdrop of sweeping guitars, rich piano, and pulsing African drumbeats. The middle tracks are an encouragement of God`s good plans for each life, and a commitment to wait on the Lord. The album closes with a sung Apostles` creed and an instrumental progression. Let Me In is a flowing album filled with the real hope and inspiration of a real God. It is a true testament to the words of Jesus in Luke 18:27, “What is impossible with man is possible with God”.

13/ Matt Gilman & Cory Asbury – Holy

Two virtuoso voices come together to create one astounding album rich in scriptural allusion and prophetic insight.

14/ Will Reagan & United Pursuit Band – In The Night Season

Honest and unpretentious; this album set up the United Pursuit Band to become an influential force in contemporary worship music.

15/ Branches – Everything You’ve Ever Done Has Been Beautiful

Electronica wizard Jonny Hughes’ fantastic side-project called BRANCHES is ambient electronica that is peaceful and phantasmagorical all in one, well-fit for soaking (listening/meditative) prayer. This, his sophomore EP has been called a “heavenly slice of electro indie-pop” and described thus by XLR8R: “Throughout the instrumental affair, Hughes implements a bath of ethereal synths and arpeggios which is built upon using a seemingly endless supply of delicate melodies with interlocking rhythms that precisely play off each other. The first blown-out drum loop enters the procession just after the one minute marker, eventually disappearing only to pop up again in short spurts between a number of incredibly melody-washed breakdowns. In customary electro-pop fashion, the biggest burst of energy is saved for the track’s climax, where giant, glitched kicks and snares fire at will as Hughes’ melodies soar above, unscathed by the tumultuous sounds below.”

16/ Josh Garrels – Jacaranda

Sublime lyricist and instrumentalist Josh Garrels’ breakbeat folk album weaves lyrical poetic tapestries that challenge and clarify.

17/ Jon Foreman – Spring, Summer, Fall, Winter EPs

Jon Foreman (lead singer of Switchfoot)’s solo project brought forth an EP for every season, and did not shy away from allowing us to peer into his own wonderings and wanderings.

18/ Extol – The Blueprint Dives

Extol’s technical musicianship earned the band a Spellemannsprisen nomination for best metal album of 2005. The progressive extreme metal band writes music in subgenres including death metal and thrash.

19/ Jason Upton – Between Earth And Sky

Have you ever heard an angel sing? At the recording of Jason Upton’s album “Remember”, there were full grown men on their faces on the ground. Between Earth And Sky contains live versions with a studio quality of some of Jason’s most powerful songs.

20/ Jesus Culture – Your Love Never Fails

Jesus Culture’s 2008 CD/DVD release featuring Kim Walker, Chris Quilala and Melissa How (Wise) helped bring fresh spirit-led worship to the forefront of CCM by using material from the likes of Misty Edwards, Sarah McMillan, Chris McClarney, and others.

21/ Nina Landis – Fly

Nina’s clarion call to the church carries the urgency of a modern prophet, calling us back to our senses and to God’s heart. It’s incredible how strong the responses one album can provoke. “Fly” is as likely to have you weep on the floor of your bedroom as to rock out in your car.

22/ Phil Wickham – Cannons

The song “Beautiful” of this album is a diamond in a field of gems.

23/ Jeremy Enigk – World Waits

Jeremy Enigk, one of the founding fathers of 90’s melodic punk, became a Christian during his time as lead singer of the Seattle emocore band Sunny Day Real Estate and made a bold move in the punk community by opening up about how he had come to love Jesus and wanted to sing about him. His conversion to Christianity was met with mixed reactions and Enigk’s faith journey continued to be a point of contention in his fanbase. He has since released a handful of albums, carrying a change of tone from his old songs with Sunny Day Real Estate. A biographical account can be found here: http://www.explorefaith.org/music/enigk.html

24/ MewithoutYou – Brother, Sister

Masters of the modern parable.

25/ Rock n’ Roll Worship Circus – A Beautiful Glow

Pioneers of Christian indie music, the Rock n’ Roll Worship Circus’ bizarre name clues you in to the fact that they weren’t afraid to be different. Speaking powerfully of hope for humanity, A Beautiful Glow radiates joy via Moog Synth. Rock n’ Roll Worship Circus now exists as music collective The Listening.